artist statement

It all starts with an interest in exploring form through making. My works often involve a confluence of patterns, shapes, colors and cheerfully manic cartoon-like characters who look a lot like figures from pop-culture but aren't. I am interested in mysticism and dreaming up embodiments of something larger within the confines of our biology. I work intuitively and autobiographically. Color, pattern and texture, humor and a whole lot of eyes are involved in my work, regardless of medium. The gaze of my characters (when characters are involved) typically meet the viewer or stare off toward something unknown. I see a stoicism, as well as beauty and sometimes a discomfort in my other-worldly creatures. 

Although I have an master's degree in fine art, I was originally self-taught. Everything I do is marked by being raised poor, within a structure that didn't place a value on education or art. I think because of this, I can't seem to shake the methods and visual language I found long ago, like learning to sew in order to mend, and drawing cartoons that made everyone laugh. Museums and galleries were for "others." Creativity was valued when it was in-line with something useful, affordable, or entertaining. This has proven to be a tough monster to shake. While I have grown away from many limitations, the past is a deep well to explore, so that's what I do.

February, 2025. Marina, California.